| 1. | Artistic conception : the supreme purport of narrative literature
叙事性文学的最高旨趣 |
| 2. | The value of quot; zuo zhuan quot; in terms of narrative literature
试论叙事作品的意义生成 |
| 3. | The narrative power of the narrative literature works in dunhuang
论敦煌说唱文学的叙事艺术 |
| 4. | Reconsidering the function of the author in narrative literature
叙事文学创作主体的重新认识 |
| 5. | Time consciousness types and semantic generation of narrative literature
时间意识类型与叙事文学的意义生成 |
| 6. | The interchangeability and orders of the tone sandhi in the dunhuang narrative literature
字的通假与变调的序列 |
| 7. | The images of wicked women in modern chinese narrative literature by male writers
中国现代男性叙事中的恶女人形象 |
| 8. | The influences of the western regions landscape and frescoes on the frontier poems and popular forms of narrative literature of the tang time
西域风光和壁画对唐人边塞诗与变文的影响 |
| 9. | The interchangeability of the character " one " in modern chinese is different from that expressed in the dunhuang narrative literature , hut the relation of inheritance between them still can be observed
现代汉语中“一”字的变调不同于敦煌变文中所表现的变调，但其间的传承关系还可以考见。 |
| 10. | There exists a kind of extraordinary interchangeability in the dunhuang narrative literature , indicating a kind of special phonetic transformation which has certain relation with the grammar function
摘要敦煌变文中有一种特殊通假，即用“以” 、 “亦” 、 “意”等字替代“一”字，这种异乎寻常的通假，表明了一种特殊的语音变化，而这种变化又与语法功能有著一定的联系。 |
